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Kemetic Holiday: The Eye Wanders

This month’s Bright Moon coincided with the beginning of a two-part holiday, called “The Eye Wanders” and “She is Led Back”. The first takes place I Peret 19-21, which for me here is December 23-25. The second part is I Peret 28-II Peret 4, which for me here is Jan 1-7. Between that, I’ll shroud my statues to represent the Eyes being “gone”. This is taking the place of the Sailing Holiday I’ve done in previous years, and follows the same general format, with votive offerings before they leave and celebration when they return. I’ll post some photos of that below, but first, the short message from Bast and Sekhmet for this month’s Bright Moon:

“We are leaving soon, but when we return we will bring good things back with us. Celebrate and rejoice, life is meant to be enjoyed!”

The first day, I offered the white cloths I’ll be using to wrap the statues, alongside my usual Bright Moon offerings of food, drink, incense, and candlelight.

The second day, I added the boat, and gave another food/drink offering, hot cocoa, which you can see on the far right edge.

For the third day, I offered golden origami lilies, as votive offerings, and I placed them in the boat.

The statues I wrapped gently and placed them in small boxes, where they will stay until the next part of the holiday, She is Led Back.

Prayer for the Solstice

This is a prayer I just wrote for my 3-day Solstice working for Na Morrigna. It’s a little rough, still, but it was written in a fit of inspiration a few moments ago. I may edit it later, but this is the version I used today, and will be using tomorrow and the following day.

We are the children of light

Children of darkness

And seekers of balance

Darkness beneath our wings

Wings that shelter the oppressed

Oppressors fear our darkness

Light that blazes in our eyes

Eyes that witness injustice

Injustice condemned once brought to light

Balance ripens into peace

Peace sown by justice

Justice grows into balance

A never-ending spiral

The spiral of the Sun

The Sun’s renewal never ending

Shortest day and longest night

Night the deepest darkness

Darkness once more birthing light

We are children of the light

Children of the darkness

And seekers of balance

Crow Folk: Solstice Work

The Dark Moon was yesterday, so here’s your next message from the Morrigan:

You’re losing focus. Do I bore you? The work has not yet come to its pinnacle. Get out of your own way, and RISE! See things the way they truly are, and work to expose that which will perish once brought to light. Harness the light of the coming Bright Moon to dispel illusion and glamour. We’ll shift the world again.

This begins a little harsh, perhaps, but I invite those who immediately react with the thought that it’s not aimed at them, of course not, to sit with it for a moment, and reflect. I haven’t completely lost focus, no. But I was beginning to lose it: under my ill health, under my holiday plans. Make time. Make space. And jettison your excuses, your insecurities, and your feelings of helplessness.

The next full moon is Dec 22nd, so I recommend incorporating these suggestions into your Solstice work. I think I may create a ritual to do over the course of three days, Dec 20-22nd. Probably no more than a half hour each day, but I want it to build and then set to rise, like a loaf of bread.

Kemetic Bright Moon 11/23

This is a few days delayed because I’ve been sick, but here’s this moon’s message from Bast and Sekhmet:

You’ve come a long way in your spiritual and creative growth, and that cycle is coming to completion.  Turn your attention now to more mundane matters, for a time.  You are struggling, and it may be because you are attempting to achieve impossible perfection, failing to see the whole mosaic as you search for the perfect shard of pottery.  You may be working hard, but unless you’re making progress, it isn’t useful work.  It could be that the big picture is overwhelming for you right now, but you need to confront that fear and face it in order to prioritize.  Have faith in yourself and your work.  You’re building important foundations for the coming season.

Here where I live near DC, December 5th is the first day of the first month of Peret, so the Kemetic season is about to turn.  Peret will last through the 3rd of April, here, and then Shemu will begin on the 4th.

The next Bright Moon will be December 22nd, and I’ll post an omen in the days following it.

Before that, I’ll be celebrating the first part of the Holiday of the Wandering Eye, which replaces the Sailing Holiday I’ve celebrated in previous years.  On I Peret 19-21 (Dec 23-25) I will say good bye to Bast and Sekhmet, and pack up my shrine as The Eye Wanders.  If I feel well enough to do so, I will do some sort of fast* the first two days and make preparations, and put away the statues and close my shrine on the third day at sunset.  The second part of the holiday, The Eye is Led Back, takes place on I Peret 28 – II Peret 4 (Jan 1-7) and I’ll welcome them back and re-open the shrine on the first day, feast them, and give daily offerings for the next few days.  I’d love to try to begin at dawn, but I don’t think that’s realistically going to happen. We’ll see!

 

 

* Because of my chronic health issues, I will probably only fast from meat, dairy, and sweets, because it’s not generally safe for me to do stricter fasts, but I do also try to eat somewhat less food than normal as well.

Vanir Devotional Bracelets!

We made these for NoVA Pagan Pride Day in September, but I hadn’t gotten around to blogging about them or uploading them to the shop until now!  October was a crazy month, ya’ll, and now I’m playing catch-up.

vanir bracelets.jpg
Clockwise from top left: bracelets for Freyr, Freyja, Nerthus, and Njord

 

Like most of our bracelets, these are made from a variety of stone beads, many of which are semi-precious, pearl knotted on durable nylon cording, with metal toggle clasps.  The Freyr bracelet is made with red tiger’s eye, chrysanthemum stone, and mahogany obsidian.  The one for Freyja has golden tiger’s eye, red agate, and rutilated quartz.  For Nerthus, we chose kambaba jasper, moss agate, and bronzeite.  The bracelet for Njord has larvikite, dumortierite, and sodalite.  The tiger’s eye, bronzeite, larvikite, and dumortierite all have flashes that are not readily caught in a photograph, and the greens in the kambaba jasper are much more brilliant in the sunlight.  Overall, though, the above images are a fair rendering of the stones used.  The findings are all gold-colored metal, and the difference in coloring here is not as pronounced in person; here it’s largely due to environmental reflections in the photographs.  Each bracelet also includes a single glass bead to ease the use of the toggle clasp.  These bracelets are approximately 8 inches long, and we can make them longer or shorter to better fit you, if requested.

All four are now available in the Etsy shop for $40 each, and we can make stretchy versions of them for the slightly cheaper price of $25 (due to the less intensive labor process and fewer materials), so do inquire if you’d prefer that style!

Also, since we’ve started to expand our devotional bracelets out to the Celtic and Germanic pantheons, who else do you want to see?  Let us know!

A New Wave of Crows

As I have on several previous Dark Moons, I have asked for and received a message from the Morrigna, and this time I was given and answer with three instructions.  It is not as completely channeled this time as it has been on previous occasions, so the next few paragraphs are more in my own voice, with Theirs in my ear.  As such, I have left it unformatted.

Crow Folks, those of you who have been fighting and doing the work, I know that many of you are close to burn-out.  I am on the edge of it, too.  So it’s time to rest, recuperate, recharge.  Enjoy this moment of relative peace, and do something that will please your soul.  Something creative, something that will make you feel relaxed and renewed.  We are not going to rest on our laurels, for the work is not yet done, but the compassion that burns fiercely within us must be tended, lest the flame die out.  So do your tending.  For my part, I’m participating in NaNoWriMo again this year, and I’ve also made plans to go to a Korean bathhouse with friends.  I’m going to get a massage, and try to do a few more chapters in an anxiety workbook.  Self care and shadow work aren’t always easy, but they are always necessary, so find the time and heal yourself.  That is your first instruction.

Your second instruction starts with something like a notification: a new wave of Crows is coming.  Some of us started on this path one, two, or even twenty years ago, but more will be joining us this winter.  Find them.  Reach out to others around you who are already traveling this path.  Create a net of branches, so that the new Crows will have somewhere to land.  Look for the lost ones, the solitary, the stragglers.  Welcome them into your groups; offer them friendship.  Some of them will prefer to learn on their own for a while, supported by the net.  That is fine; let them do as they will.  Others will have questions, and will want guidance.

This is your third instruction: guide them.  Share everything you know, everything you’ve learned, every experience.  Share the good and the bad, for they must choose this path with their eyes fully open, with deep knowing in their hearts.  Be as patient as you can: they are learning, they are transforming, they are beginning to sprout wings.  And in the spring, we will all fly together.

I know I still owe many of you cards.  I am getting to them, slowly but surely.  Anyone who has not asked for their next six cards, please email me.  Anyone new to the path is welcome to start with the nine card spread, adjusted for the change in time of year.  This is also a good time to remind you all that the other part of my work is healing.  I’m trained in distance energy healing methodologies, and am available to you free of charge as an “on-site medic”, so to speak, if your need for healing is related to the work you’re doing for the Morrigna (ie, if it could be a line-of-duty injury, or if it is preventing you from doing your best work).  If you’re not sure, I am more than happy to ask on your behalf.  I can do these over text chat media, as time and energy allows.

Also, some of you already got this in the newsletter, but here is the journey prompt from the class I taught at Hallowed Homecoming:

Breathe yourselves into stillness, children of earth.  Breathe deep. Breathe in relaxation… and breathe out the worries and cares of the world. Breathe until you reach that space between, the space that lets us walk between the worlds.  We will all go together. Feel as mists steam up from the ground and surround us here. Pay attention to notice the shift – we are leaving the campground, and coming into another place.  When you are ready, open your inner eyes and see the dirt road beneath your feet. On either side grow trees, and many have already begun to lose their autumn-bright leaves. Continue forward to the crossroads where I stand, and behind me, to one side of the dirt road, a table piled with offerings.  There are things to drink and eat, weapons of war, representations of your battles and efforts, and more. Find the gift you are meant to give, and bring it with you as we continue forward. [Count to 10.]  Walk farther along the dirt road, until you begin to smell roasting food, and woodsmoke, and begin to hear the crackling of a fire, and voices talking quietly.  A gap in the trees shows you a narrow track that runs uphill, towards the things you hear and smell. Follow it, and as you crest the hill, the trees thin to an open plain.  You can see the fire, now – it is a large cooking fire, and over the fire hangs a giant steaming cauldron, while food roasts on the coals at the edges. Three figures surround the cauldron, and they turn to you as you approach.  Give them the gift you have brought, and ask the question you carry in your heart. [WAIT for 5-10 minutes].  When you have finished, thank them for their time, and leave the way you came. [10 secs] Back across the plain… to the hill, [3] down the hill… to the road, [3] and along the road… back to the swirling mists… and into your body. [3] Welcome Home.

Take care of yourselves, everyone.

Samhain 2018

My Samhain Season began with my transition into darkness, timed to the heliacal rise of Spica (a star or multi-star system in the constellation Virgo) on October 24th, the same day as the full moon.  The timing was something I discovered by accident, as I fell down a rabbit hole of faery holidays and stellar timing following Morgan Daimler’s revelations about the Pleaides.  Spica seems to be closely associated with my Faery Queen, whom I call The Starflower Queen, and she has a sort of light-in-darkness and darkness-in-light balance to her energies that reminds me of the Chinese yin yang symbol.  I had noticed on previous years that her transition into darkness happened before November Eve, but this year I really dove into star charts and paid careful attention and though I believe her transition from light to darkness is somewhat gradual, the bulk of the transition seems to occur between the heliacal rise of Spica (when it rises before the sun) and when Spica is at its zenith in conjunction with the sun, which happens much closer to November Eve. (I’m still not 100% clear on whether it’s the zenith at noon or the sun conjunction that matters more, but the zenith at noon was easier to calculate: October 30th this year.)

Hallowed Homecoming, which was the subject of my previous blog post, began my ancestor work and my work with the Morrigna.  For the Ancestor Altar there, I prepared a small charm box, in a repurposed Sucrets container.  (I’m a huge fan of witchy upcycling.)  Inside I placed a sodalite stone from an incomplete rune set carved with Othala, a fortune from a fortune cookie that bore the phrase “missing you” in English and Chinese, and a purple paper heart into which I spoke the names of some of my most beloved ancestors.  It spent the weekend on that altar, among other tokens and pictures, and then it came home with me to my own ancestor shrine.

I did very little on the 31st.  We passed out candy, and though I expected to pull cards for my Crow Folk, I was told I had to Wait.  So, I worked on memorizing some more of the chants for the ritual I was helping plan, and I waited.  I did not feel called to pull cards to speak to any of my ancestors, either – I had received the messages that were most important during the main ritual at Hallowed Homecoming.

On the 2nd of November, I attended a Memorial and solidarity Shabbat Service at a local synagogue with my husband’s family, and that was an especially poignant evening of Ancestral Communion.  It was also a much needed balm for my grief, and I came away glad for the community I live in, and wishing that my own faith was better represented in it.

On the 3rd, I gathered with some friends at a friend’s house, and together the nine of us had a ritual to the Morrigna, which was powerful despite our greenness and small number.  Afterwards we had a pot luck, and there was an ancestor shrine set up in one room for people to visit and take time at.  My little sucrets container sat among other tokens for another evening.

Now it is the 7th, the day of the Dark Moon, and my Samhain season comes to a close.  I am finishing these blogs as the sun goes down, and then I will pull cards and dream on them, seeking a message from the Morrigna.  Tomorrow, I will write up a blog for the Dark Moon, and I will begin to pull cards for all the Crow Folks who have requested them.

Hallowed Homecoming 2018

I meant to blog about this right away, but first I was still processing and then Samhain season really hit. It’s still hitting, and I’ll blog about that, soon, but first, here are my impressions of Hallowed Homecoming.

Generally, I liked the event! The workshops were enlightening and inspiring, the rituals small but effective. The staff was amazingly helpful, the food was delicious and filling (and they are SO GOOD with allergies!), and there was enough tea to keep my cup always filled. The parkland was beautiful, and the cabins were spacious. The only bad thing, really, was the weather.

It was cold. Cold and wet, and the cabins didn’t keep out the chill – they barely kept out the drafts. I had a brand new coleman sleeping bag rated to 0°F, and that combined with wearing three layers and a hat to bed made me barely warm enough. The rest of the time, I was fighting numbness in my hands and feet, even with thermal layers beneath my clothes, my good new boots, and gloves. Part of that, of course, is due to my chronic illness: I have poor circulation and difficulty with temperature regulation. The tea helped, and the fire in the main hall helped even more, but with wet firewood making fires in workshop cabins a struggle, I often found myself too cold to be fully immersed.

Our first day opened with registration and unpacking, and then I opted to skip the first workshop (on crafting ancestor altarpieces) in favor of walking the land, as I did at Witches’ Sabbat this past May. I started with my traditional self-introduction with tobacco in the Anishinaabe language, and after that I went wandering in search of the local Courtly Fae.

I was guided down a trail, under a fallen tree, down a fork to the left, across a field, down a hill, counter-clockwise around a holly bush, over another fallen tree, and to a decaying stump covered in bright green moss. Like the small hill in Ontario, this natural landmark was an anchor to a Faery Court, and when I gave an offering (of a delightful elderflower and lemon soda), I perceived a beautiful hall, and in a throne on a dais, a young and exquisitely beautiful Queen. She hadn’t been expecting my visit, but was pleased enough to meet me and accept the offering. I called her Wood Violet, because the flowers were a repeating feature in the decoration of the room and her wardrobe, and her eyes were the same purple. Scott accompanied me on the physical journey, but did not join me in the Hollow Hill.

Byron Ballard was the keynote speaker for the weekend, and that evening we attended her first workshop: Practical Ancestor Work. She began with a line from Mary Oliver’s poem “Wild Geese”, which is also a favorite of mine. (If you don’t know it, I highly recommend reading it.) My notes are sporadic, because Byron was teaching to a mixed-level group, and I was already familiar with much of her material. I did not know, however, that there is a version of the Wild Hunt in Yorkshire called the Gabble Ratchet that is associated with migrating geese, and is said to collect the souls of the recently departed. Byron also emphasized that there are several different types of ancestors: 1) blood family ancestors, both recent and ancient, 2) adoptive family ancestors, including friends who have passed, 3) the Beloved Dead, who are people from history that you feel a special kinship with, and 4) the Mighty Dead, who are the cultural heros of groups one belongs to, be they ethnic cultures, religious cultures, trades or crafts, or subcultures. A lot of time, people seem to shy away from Ancestor Work because their most recent ancestors were abusive or intolerant of other faiths, but there’s a wide world of the Dead out there, and no rule that says you have to start with the grandmother who hated you. (Although Bryon did also say that sometimes, those toxic relatives get a better perspective once they cross over, and they realize what they’ve done and feel obligated to make things better. Not always, but you might try contacting them and seeing if they’ll help you out occasionally, if speaking to them isn’t likely to trigger too strong of a negative reaction.)

The Opening Ritual was mostly to introduce the Guardians for the weekend, and to establish sacred space. My friend Cora joined them this year, and I felt that we were in safe hands for the work we would do the rest of the weekend.

Cora also led the first workshop I attended on the second day, on Hedgewitchery. Despite some technical difficulties with the fire in the craft cabin (damp wood), she led a pretty lively discussion of traditional witchcraft, her family’s German-American folk magic, and her approaches to hedgecrossing. The last part of the workshop was a guided meditation to speak to an element, and I had a very insightful conversation with the goddess Dinand while standing in a river. I was very glad to finally attend this workshop, since I missed it the last time Cora taught it!

Byron’s workshop on Saturday was one I believe I’d seen before, called the Spirit-Haunted Landscape, but the stories and the way she teaches change every time, so I was happy to listen again.  She talked a bit about human spirits and different kinds of ghosts, and then of land spirits – both the large spirits of place, and the smaller more fae beings associated with plant growth.  The last group she talked about are what I would consider the Gentry, the more powerful among the fae, like Wood Violet, the White Lady, and my own Queen, Starflower.  Her words were as much warning as instruction: do not do the work if you are not called to it, she said, because you will be happier and have a simpler life without Them.  But she believes that, for those of us who are called, we need to heed it, we need to brave the danger, because They can help us heal the world, and we need all the help They can give, even if it means that some of us lose parts of ourselves.  I found myself nodding along with much of what she said, and I wasn’t the only one – at the end, she asked a few of us whom she either already knew or could tell worked with the Gentry and she asked us to share a nugget of wisdom.  Strangely (or perhaps not so strangely, considering the subject matter), I can no longer remember what I said.

After that was my own workshop, an intermediate-level introduction to the three Morrigna, specifically the Daughters of Ernmas. There were about a dozen attendees, and I think it was pretty well received, even though I came dangerously close to info-dumping during my section on the Morrigna’s appearances in lore.  I’ll be sharing the journey prompt in my next Dark Moon Crow Calls blog.

Following my workshop it was dinner time, and then after dinner we were all turned out of the main hall long enough for the staff to set up for the main ritual.  We gathered outside for the main ritual and processed in, finding seats in near-darkness and near-silence.  After what I recognized as a fairly standard Wiccan ritual opening led by Rev. Tristan and Byron Ballard, we were led in a call-response honoring ancestors who had many different types of deaths.  Then a yarn rope that had been woven during an earlier workshop was stretched into a circle around the room, with each participant holding onto it in their non-dominant hand.  We were instructed to give a single word answer to describe wisdom we’d received from our ancestors, and then take the scissors from the ritual leaders and cut a piece of the rope.  My word was “peacemaking”.

On Sunday, Byron opened her workshop by explaining that she’d gone off site last night and had been in contact with the wider world, and expected that most of us had not, as that area of the parkland is a cell signal dead zone.  She painted the Pittsburg tragedy in broad brush strokes, and said some strong words about banding together and fighting bigotry and the importance of interfaith work, before giving us all a moment to process.  I had already begun to feel that we shouldn’t stay all the way to the end of the day, because the cold and damp was beginning to get to me, but after the news I just wanted to get home to my baby.  My baby, who at eight days old, was given a taste of sacramental wine while a rabbi spoke prayers in Hebrew over him.  My little family may be pagan, but we’re Jewish, too.  We still observe some of the traditions of our ancestors, even if our religious views differ.

Once most of us had regained our composure, she began her workshop proper, on the topic of Peasant Magic.  She shared a paraphrasing from Jason Miller, who split magic into two broad categories: temple magic, and field magic.  Peasant magic and folk magic, she explained, was field magic, where you do the work that needs to be done with whatever tools and materials you can scrounge up, be that a bit of lint from your pocket and your own saliva, or an herb you grow in your yard and your good wooden spoon.  She talked a bit more about community, too, about being our own first responders and not relying on bureaucracy when its ways will take too long.  Boom the creek yourselves to stop an oil spill from making it to the river.  Set up networks, where you know who to turn to for each crisis, be it one of waterways, immigrants in crisis, or a house fire.  No one can devote time to every worthy cause, she reminded us, to it’s best to pick 3, and devote as much time and effort as you can to those three, and trust that your neighbors will cover the rest.  You can support them in solidarity when they need your help, and they will support you back, even if it’s something as simple as buying a box of candles for a vigil.  Mundane actions and magical workings work best in unison, she said – one without the other isn’t as effective.  But if you try a spell and it doesn’t work, and then you try it more carefully and harder and it doesn’t work, and then one more time while pulling out all the stops and invoking all your gods and it still doesn’t work, you need to stop.  She calls it “1,2,3, Brick Wall”.  After the third time, you’re being told that the work is not for you to do, and your need to accept that.  She told a poignant story about the fires near her home a few years ago, to illustrate the point, and ended with the wisdom that what seems like a disaster may contain within it new growth; some seeds are only opened by fire.  That resonated with me, especially considering the messages I’ve been getting from the Morrigna and the Eyes of Ra lately.

After the workshop we packed up to leave, and did not stay for the closing ritual.  We said our goodbyes, and exchanged contact information with a few new friends.  Some people asked if we’d come again, and I wanted to say yes, but I could already feel how much strength the weather had sapped from me, and the insight of the chronically ill told me I’d be spending days recovering.  So I don’t know.  I enjoyed the event.  I’d love to see the space again; I’d like to return in the spring to see Wood Violet in her time of power.  But I’m not sure if three days of damp and cold was wise.  I may need to look into staying somewhere off site, somewhere warm and dry, but then the expense may be more than our budget can stretch to cover.  We shall see.

(Belated) Kemetic Bright Moon 10/24

Sorry for not posting this sooner!  Last week I was struggling with my physical health and also trying to pack everything up for the retreat I was attending this past weekend. I asked Bast and Sekhmet for an extension and they agreed.  Today I did my ritual, and here is the omen I received:

“Cycles are completing, things are coming to resolution, but this is not the final victory.  There is still much to fight for, many battles you must win.  Rest, if you need it.  Regain the vigor and passion that has drained from you in this long struggle.  But do not rest on your laurels too long – there is work still to be done.”

Short, but to the point.  I know I have more work for Samhain to do in the coming week, but after that I intend to rest, ponder the results of the US midterm election, and then begin to prepare myself for 2019.

The next Bright Moon will be on 11/23, and I’ll post the next blog shortly thereafter.

Tarot Deck Review: Archeon Tarot

Deck: The Archeon Tarot

Publisher: US Games Systems, Inc.

Developer & Artist: Timothy Lantz

Overall Rating: 9/10

archeon fan
Image (c) US Gaming Systems, Inc

Cardstock:  Easy enough to shuffle.  Seems to stand up reasonably well to moderate use – several of the cards have nicked borders, but none of them are separating yet, though I’ve been using it pretty frequently in the past six months.  The tuck box is deteriorating, though, since I keep throwing it directly in my purse.

Artwork:  Back allows for reversals.  Black borders and greenish frame.  Card names on lower frame. Most artwork depicts human figures, animals, and pips, sometimes in ways that are reminiscent of the traditional Rider-Waite-Smith images.  Artwork is digital mixed media heavily based on model photography, and there’s a fair amount of artistic nudity but nothing I would consider pornographic.  Facial expressions of the models are fairly evocative and match card meanings.  Overall the artwork feel is somewhat dark and emotionally intense.

LWB: Pretty helpful, especially considering this is not a strict RWS deck.  Meanings are pretty consistent with traditional themes, though some of the gender symbolism (which I ignore anyway) is different.  Each Major entry begins with a short quotation, and a few explanatory paragraphs before a list of keywords for both uprights and reversals.  Each Minor entry begins with a short line that almost feels like poetry, to complement the artwork, and then gives keywords for both uprights and reversals.  For example, the 9 Wands above begins with “One by one, they aligned themselves with the stars.” It gives one spread example: Celtic Cross.  Does not give much information on how to read tarot.

Likes: The artwork was a bit intense for me at first but it grew on me, and it fits an empty space in my collection.  I’ve been using it as my go-to deck for talking to Na Morrigna.  I like how evocative the images are, because my primary mode of reading is very intuitive.

Dislikes: I usually buy tarot decks based on whether or not I fall in love with The Star, which is my personal significator… and I don’t love this one.  I also don’t like how the reversal keywords are basically just the opposites of the upright keywords.  There is so much more to reversals than that, and honestly that space could have been better used by providing more fleshed out meanings to the upright cards, since they usually have no more than about a half dozen words or phrases.  Also, the LWB has quite a few typos and formatting errors.

 

Overall Recommendation:

This is a solid deck for someone who’s familiar with tarot already, and likes reading intuitively based on artwork.  That said, the artwork definitely isn’t for everyone, and the nudity on the cards might make it difficult to use for in person readings in some public places.  It’s available for $20 on Amazon which is about average for a deck like this, by a big publisher.  Full disclosure, I have done a little modeling for the artist for another publication of his, but I paid for the deck myself.  He’s fairly local, and I got him to sign the title card at FaerieCon East a few years back.  In general I recommend this deck if the artwork speaks to you.

 

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