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Tag: meditation

Freyja’s Falcon Flight: Keep the Gems

It's almost the full moon again! So here's the next Falcon Flight. I recommend lighting a devotional candle and/or making a small offering to Freyja (perhaps a libation) and to Freyr (if you have a relationship with him) before you begin, and then prepare yourself however you normally would, to do work at an altar. For my part, that usually means wearing one of my devotional hair ribbons and perhaps donning magical jewelry, and acquiring something to go over my head while I journey.  As usual, feel free to try this one or skip it if it doesn't appeal to you. I've been called to share these with my community, but it is ultimately up to each of you to choose to join in or not. I'm not so self-centered as to think my own personal practice, even if She asked me to share it, is relevant to every devotee!

Falcon Flight: Keep the Gems

Begin in stillness, and quiet, and darkness. Find your center, and align yourself with earth and sky. As you stare at the darkness behind your eyes, feel and see as mist swirls up from the ground, obscuring everything around you. After a moment, it begins to part, leaving you standing on wide plain, and on the horizon in front of you, out of the plain rises the great world tree. If you have any guides or guardians you wish to accompany you, call to them now, before you step through the gate and make your way towards the tree.

As you approach the World Tree, circle around it clockwise, until you see an opening beneath one of the great roots. Duck under this root and enter the tunnel beneath. There is hard dirt packed beneath your feet, and the entire tunnel seems to have been hewn from that same clay-rich dirt and sandstone. Not as many feet come this way — the floor is still rough in places, so watch your step as you continue forward. There are torches set into sconces in the rough hewn walls, and their light looks like fire but you feel no heat as we continue past, and you smell no smoke or pitch.

The tunnel curves gently and then begins to rise in a gradual incline, ending in a doorway, two huge stones on either side and capped with a third. Touch one gently as you step out into the fresh air — these are worn by the elements and smooth to the touch. If you look back to the entrance, you will notice that on this side, the tunnel leads into what looks like a large burial mound, standing alone in a large clearing, though the forest is slowly encroaching from all sides.

Smell the air — the pine sap scent is strong, and your nose can tell there is moving water somewhere nearby, even if your ears cannot yet hear it. Now you should continue, following a clear trail deeper into the forest. Your footfalls are muffled by pine needles, and the air seems still. Then, ahead of you you see a bridge over a nearly-empty gorge, just a trickle of a stream at the bottom, the same as last full moon.

Cross the bridge and continue up the usual trail. After a short time, you arrive at a fork, with three paths to choose from. One path curves to the left, and you can just make out a bridge over a creek in the distance. The one to the right seems to vanish into the trees. Continue down the middle path, which leads straight ahead. After a while, the trees seem to thin a bit, and the underbrush grows less tangled.

As the path reaches the edge of the forest, and the pine needles give way to a large open field, your eyes are drawn to the great hall. It is large, and you know at once to whom it belongs. This is Freyja’s Hall, Sessrumnir, and you are in Folkvangr. Approach the door, and go inside.

Enter the hall and stop for a moment to let your eyes adjust. Once they have, you will be able to see both Freyja and Freyr seated on the dais. You may approach either of them to speak to them about what weighs on your heart.

[interlude]

When you have finished speaking, one of them will hand you a small wooden carving. It may be labeled, but in your heart you know what this is: a representation of a relationship that once was meaningful in your life, but is no longer.  Place the carving into the central fire, and watch as it swiftly burns down. As the wood reduces to ash, a central gem is revealed. When it has been freed, reach your hand out to pick it up. It will not burn you.

This is what you should keep from that relationship that is no more: the parts of yourself that were wrapped up inside it.  You need not cut off or abandon any part of your true self to remove the influence of a toxic relationship; these can be cleansed by fire and returned to you for safekeeping and later integration.  For now, put the gem in your pocket or somewhere similar, and then return to thank the one who gave you the carving.

When you are finished, go out the door of the hall on the side opposite to where you came in, down the usual the forest path, through the forest, across the bridge again, to the mound, through the mound-tunnel and out from under the root, and begin to cross the plain. Then the mist will swirl up again, and take you back to your body.

 

Nota bene: Astute readers will have noticed that this time the mist deposits you on the plain instead of the meadow and continuing through the tunnel of trees.  When I did the journey this week, that is what happened to me. Whether that is a permanent change or not I am not sure, but I wouldn't be surprised if the removal of a section heavily associated with Hrafnar practice isn't my own subconscious reaction to the discussion of Diana Paxson, pedestals, and problematic elders our community has been having over the past few weeks.  I am not yet as well informed on the topic as I would like to be, because personal life and health have kept me from deeply engaging, but what I have seen is enough to make me pause and consider parts of my personal practice that are based on her writings.

Freyja’s Falcon Flight: New Shapes

Well, I meant to do twice a month but at least I'm back with this on time again.  Spring weather changes and some mundane life stuff have left me still a little overloaded, but I'm working on getting back into the swing of things, and the abundance of sunlight is definitely helping!

I recommend lighting a devotional candle and/or making a small offering to Freyja (perhaps a libation) before you begin, and then prepare yourself however you normally would, to do work at an altar. For my part, that usually means wearing one of my devotional hair ribbons and perhaps donning magical jewelry, and acquiring something to go over my head while I journey.  As usual, feel free to try this one or skip it if it doesn't appeal to you. I've been called to share these with my community, but it is ultimately up to each of you to choose to join in or not. I'm not so self-centered as to think my own personal practice, even if She asked me to share it, is relevant to every devotee!

Falcon Flight: New Shapes

Begin in stillness, and quiet, and darkness. Find your center, and align yourself with earth and sky. As you stare at the darkness behind your eyes, feel and see as mist swirls up from the ground, obscuring everything around you. After a moment, it begins to part, leaving you standing in a flowery meadow.

When you arrive in the meadow, take a moment to observe around you, turning until you see a path. At the entrance to the path are two shrubs, and as you move on that direction, you see trees as well. Shrubs give way to trees and undergrowth on either side of the path, getting taller and denser as you move onward, until they join overhead into an arch, forming a tunnel of trees that slopes downward, getting denser and darker.

Eventually, you notice that the path has become flat, and then it begins to rise. Now the trees are thinning again, branches giving way to brightness, and as the trees again give way to shrubs, you see a gate in front of a wide plain and beyond it, the great world tree. If you have any guides or guardians you wish to accompany you, ones who can join you in flight, call to them now, before you step through the gate and make your way towards the tree.

As you approach the World Tree, circle around it clockwise, until you see an opening beneath one of the great roots. Duck under this root and enter the tunnel beneath. There is hard dirt packed beneath your feet, and the entire tunnel seems to have been hewn from that same clay-rich dirt and sandstone. Not as many feet come this way — the floor is still rough in places, so watch your step as you continue forward. There are torches set into sconces in the rough hewn walls, and their light looks like fire but you feel no heat as we continue past, and you smell no smoke or pitch.

The tunnel curves gently and then begins to rise in a gradual incline, ending in a doorway, two huge stones on either side and capped with a third. Touch one gently as you step out into the fresh air — these are worn by the elements and smooth to the touch. If you look back to the entrance, you will notice that on this side, the tunnel leads into what looks like a large burial mound, standing alone in a large clearing, though the forest is slowly encroaching from all sides.

Smell the air — the pine sap scent is strong, and your nose can tell there is moving water somewhere nearby, even if your ears cannot yet hear it. Now you should continue, following a clear trail deeper into the forest. Your footfalls are muffled by pine needles, and the air seems still. Then, ahead of you you see a bridge over a nearly-empty gorge, just a trickle of a stream at the bottom, the same as last full moon.

This time, cross the bridge and continue up the usual trail, towards the field and the great hall, and fter a short time, you arrive at a fork, with three paths to choose from. One path curves to the left, and you can just make out a bridge over a creek in the distance. The one to the right seems to vanish into the trees. Continue down the middle path, which leads straight ahead. After a while, the trees seem to thin a bit, and the underbrush grows less tangled.

As the path reaches the edge of the forest, and the pine needles give way to a large open field, your eyes are drawn to the great hall. It is large, and you know at once to whom it belongs. This is Freyja’s Hall, Sessrumnir, and you are in Folkvangr. Approach the door, and go inside.

When you enter the hall and stop for a moment to let your eyes adjust, you notice revelers gathered and dancing, all wearing dark cloaks and animal masks. You have worn your own dark cloak for this gathering, but the animal masks confuse you for a moment, and you stand still and stare.

Then, suddenly, Freyja is before you, and she reaches out to touch you, and the entire scene disappears...

You open your eyes in another body, outside, at dusk.  Do you have paws now? Wings? Fins? Some sort of tail?  Move experimentally and try to get a feel for this new shape, and a good look at yourself.  When you recognize what you have become, take a moment to test the limits of this new form, and to move for the sheer joy of movement!

[interlude #1]

At long last, you begin to tire, and begin the search for a place to rest. You relax, and your eyes close...

Only to open again, inside the hall once more, with Freyja smiling at you and holding out a mask. Was it a dream? Did you share a few hours of the life of another being, or was your spirit transformed? You may have questions, but they fade as you put on the mask, and join the other revelers in their wild dance, expressing what this transformative experience has taught you about yourselves.

[interlude #2]

When you feel settled and ready to leave, go out the door of the hall on the side opposite to where you came in, down the usual the forest path, through the forest, across the bridge again, to the mound, through the mound-tunnel and out from under the root, across the plain, and back to the gate, through the tunnel of trees, and back to the meadow. Then the mist will swirl up again, and take you back to your body.

Freyja’s Falcon Flight: Purifying Waters

Spring is back, and so are these Falcon Flights - on the full moon now, to help me keep my plan to blog every other week. As before, this journey is based on my experience, and I’m offering it to the community in case it’s helpful or resonates with some of you. If you’re used to doing journeys from a script, great! Otherwise feel free to have some one read it to you, or record yourself reading it. Edit the intro and expand the outro if you need to, but please leave the middle intact, and don’t share the recording without telling them where to find my original post!

I recommend lighting a devotional candle and/or making a small offering to Freyja (perhaps a libation) before you begin.  Please note: if you have a phobia of caves or drowning, this may not be a good meditation for you.  Otherwise, prepare yourself however you normally would, to do work at an altar. For my part, that usually means wearing one of my devotional hair ribbons and perhaps donning magical jewelry, and acquiring something to go over my head while I journey.

Falcon Flight: Purifying Waters

Begin in stillness, and quiet, and darkness. Find your center, and align yourself with earth and sky. As you stare at the darkness behind your eyes, feel and see as mist swirls up from the ground, obscuring everything around you. After a moment, it begins to part, leaving you standing in a flowery meadow.

When you arrive in the meadow, take a moment to observe around you, turning until you see a path. At the entrance to the path are two shrubs, and as you move on that direction, you see trees as well. Shrubs give way to trees and undergrowth on either side of the path, getting taller and denser as you move onward, until they join overhead into an arch, forming a tunnel of trees that slopes downward, getting denser and darker.

Eventually, you notice that the path has become flat, and then it begins to rise. Now the trees are thinning again, branches giving way to brightness, and as the trees again give way to shrubs, you see a gate in front of a wide plain and beyond it, the great world tree. If you have any guides or guardians you wish to accompany you, ones who can join you in flight, call to them now, before you step through the gate and make your way towards the tree.

As you approach the World Tree, circle around it clockwise, until you see an opening beneath one of the great roots. Duck under this root and enter the tunnel beneath. There is hard dirt packed beneath your feet, and the entire tunnel seems to have been hewn from that same clay-rich dirt and sandstone. Not as many feet come this way — the floor is still rough in places, so watch your step as you continue forward. There are torches set into sconces in the rough hewn walls, and their light looks like fire but you feel no heat as we continue past, and you smell no smoke or pitch.

The tunnel curves gently and then begins to rise in a gradual incline, ending in a doorway, two huge stones on either side and capped with a third. Touch one gently as you step out into the fresh air — these are worn by the elements and smooth to the touch. If you look back to the entrance, you will notice that on this side, the tunnel leads into what looks like a large burial mound, standing alone in a large clearing, though the forest is slowly encroaching from all sides.

Smell the air — the pine sap scent is strong, and your nose can tell there is moving water somewhere nearby, even if your ears cannot yet hear it. Now you should continue, following a clear trail deeper into the forest. Your footfalls are muffled by pine needles, and the air seems still. Then, suddenly, ahead of you there is a bridge over a nearly-empty gorge, just a trickle of a stream at the bottom, and one you have never seen before, though you have traveled this way many times before.

As you cross the bridge, look to your right, and there in the cliff wall on the other side, you will see crudely cut stairs. Cross the bridge and walk to them, and carefully descend.  They seem more inviting from this side, though, and your feet are sure in their steps.  As you come to the bottom, follow the trickle of water downstream. It gets a bit wider as you continue, until ahead of you there is a wide, deep, pool.

Wade in to the pool, and when it is chest-deep, take a deep breath and plunge in, submerging yourself fully... and letting the water drag you under.  Let it pull you through the underground passageway, and then when you think you can't hold your breath any longer, you'll feel yourself bob to the surface, inside another deep pool - this one in a cave.  The ceiling is full of shimmering stalactites, and there is a dry portion, where a small fire is lit.  There is a hole in the roof above the fire, letting the smoke out, but you see no other way out of this chamber.

Climb up the bank and move closer to the fire.  Here is some more wood piled up, though it is unclear how it got here, and hanging over it is a large ragged towel or blanket. Next to it, folded, is some kind of garment.  Remove your wet clothes and dry off on the towel, and then unfold the garment - it is a feathered cloak.

Toss the cloak around your shoulders, and feel yourself transform into a falcon.  You know this form, and you can easily launch yourself into the air, and fly out through the hole in the roof.

You'll emerge on the far side of Folkvangr. Land and transform back, and you'll see a veiled priestess at the door. Take new clothing from her, and hand her the cloak - once you are dressed, your purification is complete, and you may enter.

Once inside, you will find Freyja seated on the dais.  Ask her the question that weighs heaviest on your heart.

[interlude]

When you are finished speaking with Freyja, go out the door of the hall on the side opposite to where you came in, down the usual the forest path, through the forest, across the bridge again, to the mound, through the mound-tunnel and out from under the root, across the plain, and back to the gate, through the tunnel of trees, and back to the meadow. Then the mist will swirl up again, and take you back to your body.

Freyja’s Falcon Flight: Beneath the Tree

Late Late Late, but better late than never, Freyja assures me.  This should have been posted more than a week ago, apologies, but, hey, the website is up again!

As before, this is based on my experience, and I’m offering it to the community in case it’s helpful or resonates with some of you. If you’re used to doing journeys from a script, great! Otherwise feel free to have some one read it to you, or record yourself reading it. Edit the intro and expand the outro if you need to, but please leave the middle intact, and don’t share the recording without telling them where to find my original post!

I recommend lighting a devotional candle and/or making a small offering to Freyja (perhaps a libation) and to the Norns before you begin. Prepare yourself however you normally would, to do work at an altar. For my part, that usually means wearing one of my devotional hair ribbons and perhaps donning magical jewelry, and acquiring something to go over my head while I journey.

Falcon Flight: Beneath the Tree

Begin in stillness, and quiet, and darkness. Find your center, and align yourself with earth and sky. As you stare at the darkness behind your eyes, feel and see as mist swirls up from the ground, obscuring everything around you. After a moment, it begins to part, leaving you standing in a flowery meadow.

When you arrive in the meadow, take a moment to observe around you, turning until you see a path. At the entrance to the path are two shrubs, and as you move on that direction, you see trees as well. Shrubs give way to trees and undergrowth on either side of the path, getting taller and denser as you move onward, until they join overhead into an arch, forming a tunnel of trees that slopes downward, getting denser and darker.

Eventually, you notice that the path has become flat, and then it begins to rise. Now the trees are thinning again, branches giving way to brightness, and as the trees again give way to shrubs, you see a gate in front of a wide plain and beyond it, the great world tree. If you have any guides or guardians you wish to accompany you, ones who can join you in flight, call to them now, before you step through the gate and make your way towards the tree.

As you approach the World Tree, prepared to circle around it clockwise as before, you instead see Freyja standing in front of you.  She beckons you in the other direction, and before the entrance under another great root, she casts a cloak over you, turning you into a falcon, and as you fall to the ground, she changes herself and leaps into the air, giving you no choice but to follow her through the opening under the root, and into the gloom.  

Within, she glows brightly enough that you can follow her easily: down and around the path spirals, over rivers and past mountains and forests - other worlds branch out from here.  And then, in front of a large well, around which sit three ancient beings, Frejya throws back her cloak to regain her usual form, and reaches out an arm for you to land on.  When you do, she changes you back as well, and holds you by the arm lest you stumble into the Well.

These are the Norns - Urd, Verdandi, and Skuld, who know the fate of all beings and can read all of time in the runes in the rime.

"Put your offering into the water," Freyja instructs you, "and then speak the question that weighs heavy on your heart."

Do so, and wait patiently for the answer.

[interlude]

When you are satisfied with the answer, or when they have no more to tell you this time, thank them for the wisdom you have received, and turn back to Frejya.  She will turn you back into a falcon and then lead you on the return journey: up and around, up and around, back out the entrance you came through beneath the root.

Out in the open air again, she removes her cloak and yours, and at this time if you have anything you wish to tell her or ask her, you should do so, before departing.

When you are finished, return the way you came, across the plain, and back to the gate, through the tunnel of trees, and back to the meadow. Then the mist will swirl up again, and take you back to your body.

Absolute Beginner Meditation Exercises

I’ve already blogged about Grounding/Centering and Shielding, and while those are prerequisites to journeywork, they are not required for the following short meditation exercises. These are also a prerequisite for more complicated forms of meditation, but they are designed to be done basically anywhere with anything, though I’ll be using two specific examples.

Open Attention: A Cup of Tea

I call this a tea meditation because I like tea, but you can do it with any flavored beverage (or soup, or water if you can tell what water tastes like, but it works better with flavor).

First, prepare your beverage to your taste, and an appropriate drinking temperature, and find a mostly quiet and calm place to sit. It doesn’t need to be perfectly silent and it’s probably better for your later progress if it isn’t, but a too-distracting environment isn’t great, either. Background music may help.

Once you’re ready, what you’re going to do is hold your beverage, and begin to notice EVERYTHING. Drop your attention out of your head and really notice everything in your body, first. What can you feel? Do you have aches and pains, discomfort? Allow yourself to move slowly if a change of posture might relieve those, and really feel the sensations of movement, each muscle tensing and relaxing. Can you feel your clothing? Your hair? Any jewelry or other adornments? Can you feel the ground, or what you’re sitting on? What about sunlight, or air currents? What do you see? Without moving your head around too much, what is nearby? You’ve probably already noticed large objects, but what about the tiny details? Imperfections in paint or tile if you’re inside? Slightly wilted leaves outside? Really try to take in all the details, as though you’re trying to memorize the scene. But don’t feel pressured, there’s no quiz. The goal is simple awareness. Can you take in visual detail and still remain aware of the tactile sensations we went over earlier? On top of that, can you add smells? Humans have a pretty good sense of smell, on average, we just don’t pay as much attention to it as our canine friends do. But now that you are paying attention, what can you smell? Your beverage, probably. But what else? Can you smell yourself? Are there other ambient odors? Once you think you’ve become aware of the smells near you, take a moment to really focus on your beverage. Notice how the smell changes, gets stronger, as you lift it up to your face. Take a drink, and see how much you can taste. What ingredients are in your beverage? What sort of notes can you detect? Can you catalog them while not losing awareness of your other senses? Swallow and then return to trying to integrate all sensory input, and just letting it flow in and through you. Catalog it, but don’t judge what you notice, and don’t judge yourself for noticing or for losing focus. If you lose focus, just take another sip and calmly return to cataloging, until you’ve hit your time goal.

Then slowly return to normal awareness. I recommend finishing the beverage if you have not, and then perhaps having a little snack or doing a little physical movement – shaking yourself out, or a couple of stretches, maybe – to bring yourself back into mundane consciousness.

Focused Attention: A Single Candle

First, find a candle and a flat and safe place to set it down to burn. A jar candles on a wood table would be perfect. Taper candles and candle holders might work if there’s nothing that may knock it over and if there’s nothing flammable it can fall on. It will work best if the area you’re using has a calm and mostly quiet. It doesn’t need to be perfectly silent and it’s probably better for your later progress if it isn’t, but a too-distracting environment isn’t great, either. If there’s too much intermittent noise, try headphones and some kind of white noise or background music. (Check out these generators.)

Once you’re set up, light the candle, and focus on the flame. As you do so, begin to count your breaths. Count slowly as you inhale, and then as you hold briefly, and then as you exhale, and briefly hold again. It may take you a little bit of trial and error to figure out what counts work best for you, but many people suggest square breathing, where each portion is a count of four. 1, 2, 3, 4, in; 1, 2, 3, 4, hold in; 1, 2, 3, 4, out; 1, 2, 3, 4, hold out. I personally find that a count of 7 in, 3 hold, 7 out, 3 hold works better for me to shift my state of consciousness, so feel free to experiment. Just keep focusing on the candle as you breathe.

If your mind starts to wander or you lose count in your breaths, just gently come back into the pattern. If you find that the candle flame is not enough to occupy your mind, consider adding a short phrase that you repeat either quietly in your head, or with every exhale. Alternatively, get something for your hands to fiddle with to help you direct your focus elsewhere. Try to maintain this focus, but do not be hard on yourself for losing focus. Just keep practicing.

If it becomes too difficult to continue focusing, or if you have reached the end of your target meditation length, thank the candle for its help and put it out. Slowly return to normal breathing and normal awareness. You may need to get up and stretch and have a snack to accomplish that.

Practice makes Perfect!

These are short, and doing them just once isn’t really going to help you. Instead, it’s best to build a practice around both. Doing both of them (at different times of day, not back-to-back) every day for three weeks would be ideal, and you’d notice a lot of progress in that time. However, that’s not something I’d probably manage without dropping some of the other balls I’m juggling, and I know that’s not realistic for some of you, either. So instead, I suggest doing either of them 5 times a week for four weeks, instead. Some days you can do two to make up for a missed day, but don’t do more than two in a day, and don’t go more than three days in a row without doing one exercise, if you can help it. If you can’t avoid that, you may want to continue for an extra week at the end of your month.

If you find as you go along that you can sit for longer than the 5 minutes, by all means do so! Ideally as you get more comfortable with these and the mental state begins to come naturally, you will be able to sit in it for 10 or 15 minutes at a time. That may take another few weeks, though after you feel more solid in your practice you can back off to doing it just a couple times a week without losing progress. More practice still means faster progress, however!

I also suggest journaling the experience, even if it’s just a couple of brief words in a note on your phone: “7/11/19. Candle meditation. Went well.” Or “7/12/19. Coffee meditation. Couldn’t keep focus.” It will be clearer to you that you’re making progress, and you won’t have try to count how many times you managed already this week.

Two Powers Meditation

I’ve begun working on a Grimoire, mostly for myself, but I thought the entry I wrote that outlines my version of the well known and often used Two Powers meditation might be of interest here, too. If you try this yourself, first find a comfortable place to sit, without too many distractions. Some people may find that they can read it over and then close their eyes and follow the instructions. Others may want to record themselves reading it so they can listen to it play back. See what works best for you.

We start, as all such things must start, with finding one’s center, and one’s place in the Worlds.
Breathe deep, child. You inhabit a body, but you are not body alone. Breathe deep, and feel not just air but energy that fills you up. Breathe until you are full to bursting, child, until you feel every piece of yourself swirling around your core, the spark of your being. Then breathe out, and reach down.
Reach down, and feel the earth below you. It is green and growing, brown and decaying, reach down into it like the roots of a tree. Deeper than soil is quiet grey stone. Continue down. Through the stone move cold waters, underground rivers and pools. Stop there and breathe those energies in. Deep cool energies, a mix of earth and water.
Those who feel comfortable doing so should only pause here briefly before going deeper. Deeper and deeper, until the cold becomes warm, until the warm becomes hot, until the stone becomes lava. It warms you, but does not hurt, though things you carry but do not need may be burned away. Let the lava cleanse you, a mixture of fire and earth. Stay here until you feel emptied of things you do not need.
Then rise, rise and bring the energies with you. Breathe them in as you rise into yourself. Pull the energies into your feet, the cauldron of your belly, the cauldron of your heart, and the cauldron of your head. Let them spill out the top of your head and run down your body, back into the earth.
Then reach up, child, up into the air, and into the sky. Up and up and up like the branches of a tree, up and feel the warmth of the sun. Bask in it, air mixed with fire, and breathe those energies in.
Those who feel comfortable doing so should only pause here briefly before going higher. Higher, higher, into the atmosphere and past it, out into space, towards the light of the stars. Breathe in that cool, cleansing light, mixture of air and water, and draw it down into yourself.
Pull it down into the cauldron of your head, and as it touches the earth energies, it sparks and begins to glow. Pull that energy down from the stars again to the cauldron of your heart – watch it spark, and as it mingles, begin to glow. Pull it down with another breath, into the cauldron of your belly, to spark and mingle and glow. One more pull with one more breath brings the energy down your legs and out your feet, only to return, running over your skin, to the sky.
You now hold both energies within you, child. Let them mingle and glow. Hold the balance. In this moment, you are the world tree, spanning the cosmos. You are of the earth and the sky and you are here at the center of all things. Take one last deep breath in, and then breathe it out and let it go. Some of the energies will stay with you, for you are always connected to everything else, but for now, return to yourself, your center. Be whole.