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Review of Outside the Charmed Circle

Outside the Charmed Circle: Exploring Gender and Sexuality in Magical Practice
by Misha Magdalene, published in 2020 by Llewellyn

ISBN: 978-0-7387-6132-9

This book was the community pick for the Fellowship Beyond the Star book club for October, suggested by Ron Padrón (of White Rose Witching), and I'm super glad he suggested it (and that it got the second most votes and was therefore next) because I really enjoyed it!  I shared one quote that really resonated with me on Facebook when I was partway through the book, and I didn't quite manage to finish the whole thing by the book club date, but I have now and I thought I'd review it for ya'll!

The book is a little under 300 pages, including the foreword by Michelle Belanger (but not including the appendices and the bibliography), written in a sort of lightly academic style that is still pretty accessible.  Magdalene makes sure to define new terms for every chapter, and while some of it will be very familiar to those who've done some university-level gender studies, that kind of background isn't at all required to follow her arguments.  Her writing is clear and concise, while still leaving room for it to be heartfelt and hilarious at turns.

The first two chapters set us up: introducing the author, the book, and the general terms that will provide the framework for everything else.  Magdalene also explains what the "charmed circle" is, a term she borrowed from Gayle Rubin's 1984 essay "Thinking Sex": cultures attribute positive and negative values to sexual attributes, and those that are positively valued are said to be the "charmed circle" of sexuality in that culture, with their opposites, (ie, anything "queer" in our modern western society) falling outside that circle.  The third chapter discusses embodiment, and both how magic is embodied (the body being our first magical tool) as well as how gender and sexuality are embodied, and how trauma and disability can disrupt and complicate things (plus some very good suggestions for grounding when they do).  Chapter 4 rounds out the first section, with some more gender theory, and a section titled "Opening a Discourse About Gender Essentialism and Other Cans of Worms" that is just pure gold  - and, alas, too long to reproduce here in total, but here's a snippet:  "Let's talk about 'masculine' and 'feminine' energies, or perhaps we can call them 'active' and 'passive' energies, or positive and negative polarities. While we're at it, we can talk about the equation of masculinity with active, positive and projective qualities, and the consequent equation of femininity with passive, negative, and receptive qualities... but hey, that's not exist, right?" (p.105) Chapter 5, titled "Queerness and the Charmed Circle", returns to the definitions of both queerness and the charmed circle itself, concluding "to be queer is to be intrinsically Other, standing outside the charmed circle of societal approval for the sake of living an authentic life." (p.144)

Chapter 6 gets us into the meat of this and the practical applications, discussing sex magic, in the context of queer sex and embodied magic, and — importantly — consent.  This chapter includes a ritual that's a bit longer than the exercises sprinkled throughout the other chapters, though honestly I felt like this chapter has the potential to be another entire book, should Magdalene wish to elaborate further!  Continuing on, Chapter 7 is titled "Form Follows Function: Toward A Consent-Based Magical Praxis", and it's in this chapter that I found the quotation I just had to share on Facebook: "If those of us who work with gods, spirits, powers, and our fellow practitioners aren't basing our communities and our praxis in consent, we have no claim to any sort of spiritual advancement or wisdom. We're merely overgrown toddlers who haven't learned that other people, other beings - human or other, corporeal or not, living or dead or something else - don't exist for our convenience, to sate our desires. They have their own agency, just as we do, and understanding that agency should be the core of any interaction, magical or mundane." (pp.181-82)  If you want my bare-bones honest opinion, this book is worth buying for that chapter alone. Chapter 8 discusses consent as it applies to our work and relationships with spirits and deities, and I think anyone who is thinking of entering into any kind of contract or devotional relationship with a deity should read it.  I don't think enough of us stop to consider our own consent in these relationships, but it matters.  Deeply.  This chapter covers not only how and when to say no, but also what kind of responses you might get back, and what to do if things go sideways. It is another chapter that could easily be expanded into another entire book — one I would gladly buy for the Fellowship library so I could hand it off to new pagans! Chapter 9 gives several examples of ways to adjust your practice to be more consent-based, and the pros and cons of each, and includes a quick reminder of what cultural appropriation is and how to avoid it.  Chapter 10, titled "Greater Than One: Thoughts on Politics, Power, and Community", explains why gender, sexuality, magic, witchcraft, and paganism are all political, and why we can't abstain from political discussions as we build and maintain our communities.  It also tackles questions of diversity, inclusivity, the paradox of tolerance, and what it means to lead.  The final chapter is short, and is both conclusion and a consideration of what else, what next.  Because the work is never done.

I really enjoyed this book and I'm very glad it exists — so much of what I found within its pages was validating and inspiring.  If I had to list drawbacks, I can think of only three, and all three make sense in the context of the author herself and that the material, by necessity, had to remain streamlined.  First, the magic this book focuses on is predominantly ceremonial magic, which appears to be what Magdalene herself practices, but it is not the backbone of my own practice, so there were points at which I either had little interest in a suggestion or I agreed but while coming from a very different angle.  Secondly, the lists of queer deities were very brief and not at all exhaustive (in fact, on of my favorite queer deities, Heimdall, was absent).  Very few pantheons were included, but I imagine this was both an attempt to draw on her own experiences (instead of being encyclopedic) and also to give enough space to talk about why the deities included should be considered queer, instead of just giving a list with no justification or explanation. (Llewellyn, if you're reading this, I would LOVE an edited encyclopedia of queer deities, though.  Just sayin'.)  Thirdly, and this is the smallest of all, in the section on deity relationships and consent, Magdalene rightfully points out that pagans as a whole seem to accept more toxic behaviours from our deities than we would from our romantic partners, and while that is very true in my experience (and ought not to be), I think a little discussion of complicated familial relationships might round out that analogy, because there certainly are deities that I would walk away from if I could, but I can't completely avoid them because of a larger web of relationship — much more like a problematic uncle than a toxic boyfriend.  Other than those three little nitpicks, I wholeheartedly recommend this book to any "p-word" community member (that is: Pagans, Polytheists, and magical/occult Practitioners) who is queer, who is trying to be a better queer ally, or who holds any kind of leadership role in their own community.

If you're interested in joining the Fellowship Beyond the Star for our next book club meeting, we'll be meeting on Zoom on January 14th, 2024, 12-2pm Eastern Time, and discussing John Beckett's Paganism in Depth. More details can be found here.

Books for Beginners: Magic, not Gods

So, yesterday someone asked me a question about what kind of books and resources I would recommend for getting started with magic.  I inquired further, and they clarified that they had no interest in deities at this point, which narrowed down my potential list of recommendations.  After a little poking through my shelves and some reviews for books I haven't gotten my hands on yet, I finally settled on these:

  1. Psychic Witch: A Metaphysical Guide to Meditation, Magick, and Manifestation, by Mat Auryn
    I haven't read this one yet, but I have leafed through it and it seemed like it was pretty solid on the basics: meditation, energy work, grounding and shielding, etc.  And it got a pretty glowing review from John Beckett!  There's also a sequel of sorts: Mastering Magick: A Course in Spellcasting for the Psychic Witch.  And you can find out what else Mat Auryn has been up (or find podcast episodes where he had a guest appearance to talk about his books) to on his website.
  2. Grovedaughter Witchery: Practical Spellcraft, by Bree NicGarran
    This one I own, and I've followed the author on social media for a decade or longer, and her stuff is usually pretty clear, and almost always secular. Despite being a pagan, the gods don't really figure in her witchcraft; her focus is more on folkloric-flavored witchcraft, inspired by fairytales.  Bree also has a podcast, Hex Positivewhich has a lot of additional resources.
  3. Evolutionary Witchcraft, by T. Thorn Coyle
    I own this one, too, and read it for the book club run by the Fellowship Beyond the Star a few years back.  It's from a Feri/Reclaiming perspective, and does include some deities but it also includes both the Iron and Pearl Pentacles, and a lot of movement exercises, which makes it a valuable addition to this list.
  4. TrancePortation: Learning to Navigate the Inner World, by Diana L. Paxson
    This one is very focused on trancework and remains one of the most comprehensive books I've ever read on that topic.  It's heavy though, so it takes a while to get through, but all the exercises build on each other.  If you're interested in trancework and journeying, I can't recommend it enough.
  5. Six Ways: Approaches and Entries for Practical Magic, by Aidan Wachter
    I haven't read this one, either, but I did just finish Weaving Fate: Hypersigils, Changeing the Past, and Telling True Lies, by the same author and that book moved this one into my Need category.  Weaving Fate is a little more specific and a little more advanced, but a very engaging and straightforward read with good instructions; I can't imagine Six Ways being much different in that regard.
  6. Sigil Witchery: A Witch's Guide to Crafting Magick Symbols, by Laura Tempest Zakroff
    This is the first that was recommended by someone else as I was discussing this post, and I was really grateful for the suggestion because my own sigils are almost always bindrunes or ogham or some combination thereof, so I don't really own any books on sigilry.  It's a powerful type of magic in its own right though, and though it doesn't really jive with my personal practice (I don't use other people's sigils, as a rule), I have long been impressed with Tempest's work.  Plus, this book had a glowing review from another author whose work I admire, Misha Magdalene (author of Outside the Charmed Circle: Exploring Gender and Sexuality in Magical Practice, a must-read for any queer neopagans or group leaders)
  7. The Elements of Spellcrafting: 21 Keys to Successful Sorcery, by Jason Miller
    I've seen this one recommended a lot, too, though I've yet to get my hands on a copy of it to leaf through. Still, I've found many of Jason Miller's blogs very insightful, and this book has a great review by another blogger I've long admired, River Enodian.

I think I'll stop there, for now - I could recommend more blogs and online courses and youtube channels but for now I think I'll stick to a list of books!  I'd love to hear other people's suggestions as well - if you feel like I made a mistake leaving out your favorite book, let me know!  Feel free to talk about them in the comments here or on FB; I always love to start a conversation. (And who knows, if this really becomes a conversation maybe I'll curate a list of other types of resources: podcasts and classes and videos, oh my!)

(And yes, those are affiliate links - no pressure obviously, but if you want to, you can check out my curated lists on Bookshop.org!)

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Oracle Deck Review: Faery Forest Oracle

Deck: Faery Forest Oracle

Publisher: Blue Angel

Writer: Lucy Cavendish

Artist: Maxine Gadd

Overall Rating: 5/10

Cardstock: The cardstock is pretty standard — they'd be easier to riffle shuffle if they weren't quite so large! But they're a bit difficult for me to hold, measuring about 5.5″ tall and 3.75″ wide (or 14cm x 9.5 cm). I end up using a variety of shuffling methods to get them well-mixed. The deck box is a two part hard case, which so far is holding up well.

Artwork: The artwork is a variety of media — according to the booklet, the artist works in everything from from digital to oils — but the general style of the artwork is fairly consistent, and the themes of the deck are clear. The only drawback is that some of the images are less crisp than others, probably due to differences in the original media. These cards have pretty thick borders — thick enough that I'd be tempted to trim them down. And in addition to the card titles at the bottom, each card has three keywords.

Book: The booklet starts off with a few pages about the imagined Faery Forest, and how to use the cards. There are four provided spreads, including a past/present/future, a Celtic Cross, and two spreads for this specific deck. There is a small black-and-white image for each card before the meaning, and the meanings are not too sparing — most have three medium-sized paragraphs.

Likes: I like the general vibe of the deck, as I am more partial to fae being depicted in less twee ways. Also it does read fairly consistently well; there's a good mix of words used for the titles. The booklet meanings are all pretty clear, and give a good overview of each card.

Dislikes: I really do not vibe with the cards for Freyr and Frigga in this (there's no Freya or Odin), so... I pulled them out. I'm also not a huge fan of the differences in art media and especially in clarity — it feels a little bit like the artist went and pulled a bunch of their old work and put it all in one large binder, and didn't try very hard to make sure they all felt cohesive. And this deck, as with most fairy-themed decks, does have mainly depictions of conventionally pretty, thin, young-looking, light-skinned, feminine fairies (I would say "white" but even the ones that are too silver or blue or green to be human have very light skintones). There's not much diversity in body type and hardly any masculine fairies.

Overall Recommendation

If you like the dark faery aesthetic it's pretty solid as an additional deck, but I don't think I'd recommend it as a first deck or an only deck. I think I would love it more if the artwork was more consistent, but even as it is, it's a very visually appealing deck, and with the titles and keywords on the cards, it lends itself pretty well to off-the-cuff readings. As I said in my review for the Wild Wisdom of the Faery Oracle, that one and this work pretty well together, with that one offering a little more sugar-coating if that's what the situation calls for. But ultimately I think this is another deck I wouldn't bother replacing if it gets damaged or goes missing.

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Lenormand Deck Review: Queer Lenormand

Deck: Queer Lenormand

Publisher: Self published

Writer & Artist: Mariana Andrade

Overall Rating: 10/10

Cardstock: The cardstock is on the thin end of standard, more like cards that come with a board game than something like a pack of poker cards. But they’re easy to riffle shuffle.

Artwork: The artwork is a digital illustration style with a low amount of shading that reminds me of old scum pop art. It’s vibrantly colorful, as one would hope! There are a rainbow of background options, each chosen to contrast the illustration.

People Cards: I’m adding a section for this, because where this deck really shines is the wealth of options available for Person cards. There are only two Child cards (one with light skin and one with dark skin), but there are five each of “Woman”, “Man”, and “Person” cards, with a variety of skin tones and presentations, as well as two “Drag Queen” and two “Drag King” cards, each with light skin or dark skin options.

Book: The book has a decent sized paragraph and a list of keywords for each card. The “Man” and “Woman” cards also invite the reader to think outside the box about femininity and masculinity, while the “Person” card explicitly refers to people outside the gender binary. The paragraph for the two drag cards talks about our ability to explore binary energy, no matter what our actual gender is, if we have one. The booklet also gives a couple of brief spread examples. I do wish it gave a little more info on the Lenormand system itself, though.

Likes: I love the art and I love the diversity of the people cards, it does make it a lot easier to read for more people, and for my clients to see themselves reflected in the cards

Dislikes: I do wish there was a third option of skin tone. The five options in the “Man”, “Woman”, and “Person” cards include two people with light skin, one person with light skin who seems East Asian, and two people with dark skin, but no medium tone. Still, it’s way more diversity than usual!

Overall Recommendation

This is the deck I most commonly bring with for reading in person. The artwork is colorful and engaging, and people enjoy selecting a card for themselves and their partner or whomever they’re asking about. The box is also two parts and pretty sturdy, so it travels well. I personally love buying indie decks, especially from queer creatives, and I’d recommend this deck to anyone – with the single caveat that if you’re new to Lenormand you might want to pair this deck with a book on the system itself, since it does read differently than either tarot or regular oracle cards.

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Lenormand Deck Review: Under the Roses

Deck: Under The Roses Lenormand
Publisher: US Games Systems, Inc
Writer & Artist: Kendra Hurteau & Katrina Hill
Overall Rating: 9/10

Cardstock: The cardstock is fairly standard, like what you’d expect from a similar pack of poker cards. Easy to riffle shuffle, neither too matte nor too slick.

Artwork: The artwork is a digital illustration style that evokes a Victorian or Gothic aesthetic. Additionally, the backgrounds have subtle text featuring the meanings of the cards. There are two versions of each person card, with light skin or dark skin, and there is no Querent or non-gendered person card, but I’ve been using the title card for the Querent.

Book: This deck has a fairly standard Little White Booklet, with a list of keywords for each card, and descriptions of basic spreads, as well as a spread developed specifically for this deck. The booklet also explains how Lenormand is read in combinations, unlike tarot.

Likes: I like the artwork and aesthetic, and I feel like it’s neither too simple nor too busy. The instructions are fairly good, too – this was my first Lenormand deck (years ago!) and the LWB was definitely helpful in getting my head wrapped around this system.

Dislikes: I wish there were more people cards. That’s pretty much the only drawback, in my opinion.

Overall Recommendation

This is my go-to Lenormand deck most of the time, and at this point the box is starting to disintegrate because of that! I do sometimes have to add people cards from another deck (particularly the Queer Lenormand which has amazing diversity), but it reads well, and I think the imagery of the non-people cards is pretty evocative. It worked for me as a first Lenormand deck, but it might not be the best introduction for someone who’s entirely new to cartomancy.

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Lenormand Deck Review: Bluebird

Deck: The Bluebird Lenormand
Publisher: US Games Systems, Inc
Writer: Stuart R. Kaplan
Artist: Various historical artists, artwork is all in the creative commons
Overall Rating: 5/10

Cardstock: The cardstock is fairly standard, like what you’d expect from a similar pack of poker cards. Easy to riffle shuffle, neither too matte nor too slick.

Artwork: The artwork is in an illustration style with muted colors to mimic the paintings that are paired with each person card. All the paintings are from the 1700s I believe, and they’re all portraits of white people as one might expect, but the Lady and Gentleman cards do have two options, one older and one younger. One interesting thing about these cards is that they also each feature a little snippet of poetry, which hints at the meaning of the card.

Book: This deck has a fairly standard Little White Booklet, with a list of keywords for each card, and a few descriptions of spreads. The booklet also includes a short biography of Mademoiselle Lenormand, who created this system in the late 1700s.

Likes: I like the little bits of poetry and the illustrations are well done, but this deck doesn’t really draw me in – I don’t find myself reaching for it very often.

Dislikes: I’m not sure the portraits really add much beyond a certain historical flair. Between the portraits and in-set cards and the poetry, half the card face is taken up with things other than the illustrations, and to me it looks a bit cluttered and makes it a little harder to focus on the reading.

Overall Recommendation

While this deck doesn’t particularly speak to me, I imagine for people who like in-set cards or who are coming from a cartomancy system that uses poker cards, this would be an excellent deck to learn on. I was already familiar with the system before I bought it, and I bought it more as a historical curiosity (as it’s a reprinted vintage deck). I do tend to use this one as my second deck when I’m using a spread with Houses, though, because of the clear card titles I can let peek out from under the primary deck.

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Tarot Deck Review: Shadowscapes

Deck: Shadowscapes Tarot
Artist: Stephanie Pui-Mun Law
Writer: Barbara Moore
Publisher: Llewellyn
Overall Rating: 9/10

Cardstock: These are standard tarot size and shape, with Llewellyn’s standard semi-gloss texture, and they riffle shuffle pretty well. The borders are a pretty silver, but not fully metallic, and this doesn’t have the glittery edges that have become all the rage for indie decks.

Artwork: The artwork is the main selling point for this deck: Stephanie Pui-Mun Law’s watercolors are fantastical, exquisitely detailed, and very expressive. There are threads of color schemes and imagery themes going through the minor suits in this deck, but nothing is very monochrome or repetitive. The artwork is excellent for intuitive reading, and that’s the main reason it was on my list – I got this deck as a gift several years back!

Book: The edition I have of this deck did not come with a tuck box or a booklet, but just came with a full sized book. The book spends more time describing the scene than describing the keywords, but the meaning can be gleaned from those descriptions in an intuitive way as well, and I always enjoy having insight into the artist’s symbolism!

Likes: I really like both the artwork and the book, and I even actually like the borders – though I know a couple of people who’ve cut them off of their own decks! This is a really solid deck that I ought to reach for more, and I’m glad I finally got it into my latest shop update. [Check it out here!]

Dislikes: The only thing I dislike about this deck is that I wish it had come with a different kind of box – some of the Llewellyn decks with full sized books come in magnetic boxes now and I tend to like those, but I think I sort of forget about this deck when it’s in a bag and not with the rest of my tarot collection! Maybe I’ll have to get a bag with some of Stephanie Pui-Mun Law’s art on it from somewhere!

Overall Recommendation

I would recommend this deck for intuitive readers, and basically any intermediate reader who feels drawn to it. Since the book is somewhat minimal on traditional card meanings and the art doesn’t reflect the Rider-Waite-Smith, new readers may want to get a reference book to use along with it until they get their bearings.

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Tarot Deck Review: Oriens Tarot/Oriens Animal Tarot

Deck: The Oriens Tarot/ The Oriens Animal Tarot
Publisher: Ambisun / Rockpool
Artist: Ambisun
Writer: T.D. Cloud
Overall Rating: 9/10

Note: I have the first edition of this deck, through Kickstarter, and I am not sure what all has changed in the second edition through Rockpool, so while this review may accurately reflect the new edition, there are likely to be small changes, especially to the box and the cardstock.

Cardstock: The cardstock on the first edition is somewhat plastified or very laminated, and although the cards aren’t too shiny or slick, they flex and shuffle very well. I’m a huge fan!

Artwork: The artwork is really bright and clear despite the dark background color, and all the animals (and insects are depicted recognizably and detailed, without being either cartoonish or hyperrealistic. I wasn’t sure how I felt about the neon colors at first, but I liked the art style and the colors really grew on me. I will say though, this may not be the deck for people squeamish about insects or spiders. It says “animals” but there are insects and sea slugs and the like, too. I think each animal/insect image does a pretty good job of illustrating the card meaning, too, without being based too heavily on the Rider-Waite-Smith imagery.

Book: With the Kickstarter first edition, I got a full-length ebook. I have no idea if the new deck has a full book, a Little White Book, or an option for both, so keep that in mind. The ebook I have has keywords for both uprights and reversals, a short paragraph about the animal chosen and the imagery, and then a paragraph each for upright and reversed divination meanings. As an experienced reader I don’t refer to the paragraphs about the meaning much, but I do really like the paragraph about what animal was chosen, and why.

Likes: I love the artwork, and how well these shuffle. I think this deck lends itself well to intuitive reading, as the imagery is so expressive.

Dislikes: The neon-on-dark took a little while to get used to, but that’s not really a “dislike”. I don’t really have any dislikes for this deck, just the warning that there are quite a few insects and also a spider, in case that’s not your thing.

Overall Recommendation

This is one of the most popular decks in my shop. Clients seem to really connect with the artwork and the meanings, and the artwork is very beautiful and striking. It also avoids many of the depiction problems that decks featuring mainly human figures have: namely, a lack of inclusion of different skintones, genders, body types, ability levels, ages, etc. My only hesitation in recommending this deck to beginners and seasoned practitioners alike, is that I am not sure what the cardstock is like for the second edition!

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Tarot Deck Review: Emerging from Darkness

Deck: Emerging From Darkness
Writer & Artist: Robin L. Cole
Publisher: Self-Published
Overall Rating: 6/10

Cardstock: These cards are standard tarot sized with a semi-matte texture, and they riffle shuffle pretty well. The edges are gilded in a silver glitter but after the first few uses they didn’t seem to really shed flakes. They riffle shuffle pretty well, but the edges aren’t smooth, which means I have to take a little more care than I might normally, when shuffling. The print job is what you’d expect from a high-quality deck.

Artwork: The artwork is mostly black and white, but there are colored labels and some muted color throughout. The sketch-like style features a lot of crosshatching for shading and depth, and it’s a little strange to me to be looking at that kind of artwork up close, since it is a little busy. I think the art style (and thus the deck) looks better from a distance, but that might just be a personal preference. I think the sketch-like style does lend itself well to the central metaphor of the deck, the interplay of light and dark, even if I personally find it a little difficult to read this deck intuitively based on the artwork. Besides my difficulties with the crosshatching though, I do find the artwork to be very emotionally evocative.

Book: The included booklet is more of a pamphlet – approximately three words per card – but the deck did come with the option of a full sized book or an ebook: “Emerging from Darkness: Using Tarot for Personal Shadow Work”. I bought the physical copy of the book, and I’ve found it very useful. There are a few chapters at the beginning that serve as a decent introduction to shadow work just in general, and the included tarot exercises have proved very fruitful for me and others.

Likes: I really like that this deck and book are meant to work together, to guide the user in one of the most important kinds of growth, which is also one of the most undervalued and neglected! That is really what drew me to this deck, the idea that it could really help me and my clients when we’re struggling with our own personal shadows.

Dislikes: It’s really a minor thing overall, but I find the coarse size of the crosshatching in the artwork to be a little distracting.

Overall Recommendation

I think this deck has a space in my collection more for the book than for the deck itself. They’re a team that works well together, but I think if they were separate and not so intrinsically linked, I might just have bought the book and skipped the deck. As it is, though, I do like them as a team. I just don’t find myself reaching for this deck when I have other types of questions.

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Tarot Deck Review: Dark Exact

Deck: The Dark Exact Tarot
Writer & Artist: Coleman Stevenson
Publisher: Self-Published
Overall Rating: 7/10

Cardstock: These cards are a different shape than the standard tarot card, a bit more square, more like some oracle decks I own, but larger than poker size – approximately 4 inches x 3 inches. They have a semi-matte texture, and they riffle shuffle pretty well. My only complaint any the cardstock is that small dings to the edges tend to expose the white of the card interior, which is in sharp contrast to the black face of the cards. But one could always take a sharpie to the edges.

Artwork: The artwork is very minimalist, tarot symbology pared down and distilled to its key essences. The minor cards are mostly pips, but arranged in an evocative manner with the occasional additional symbol, like an alchemical elemental triangle, and the heart in the Three of Swords. The Majors have more detailed images but still usually one main element: a flower bulb for The Hermit, lines on a person’s palm for Judgement, an ouroboros for Death.

Book: The booklet is very short and has very small font but manages to pack some really good keywords for upright and reversal readings of all the cards. It also has a very brief explanation of tarot in general, and two spreads: past/present/future, and a Celtic Cross. There is also a full sized guide book, but I haven’t purchased that (yet?) and can’t speak to its contents or quality.

Likes: I think that this deck really does what it set out to do: be a minimalist black and white, very readable deck. It fills its aesthetic niche very, very well. I also think that the inclusion of a second Fool card, so that there’s one for the beginning of the journey and one for the conclusion is a really interesting touch.

Dislikes: I think I might’ve liked these cards better if they were actually poker sized and if the edges were bonded or coated somehow but those are really very minor detractions and very personal preferences.

Overall Recommendation

I do really like this deck, I think it’s a great addition to my collection and really is the best of the black and white decks I was looking at with more minimalist artwork. It’s a nice counterpoint to some of my busier fantasy art decks. But I’m not sure I’d recommend this deck for a newbie reader or for someone reads more intuitively based on what in the artwork draws their eye. A newbie reader might be able to learn with this deck if they also buy the full sized guide book, but without having seen the book I couldn’t say for sure.

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