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Review of Outside the Charmed Circle

Outside the Charmed Circle: Exploring Gender and Sexuality in Magical Practice
by Misha Magdalene, published in 2020 by Llewellyn

ISBN: 978-0-7387-6132-9

This book was the community pick for the Fellowship Beyond the Star book club for October, suggested by Ron Padrón (of White Rose Witching), and I'm super glad he suggested it (and that it got the second most votes and was therefore next) because I really enjoyed it!  I shared one quote that really resonated with me on Facebook when I was partway through the book, and I didn't quite manage to finish the whole thing by the book club date, but I have now and I thought I'd review it for ya'll!

The book is a little under 300 pages, including the foreword by Michelle Belanger (but not including the appendices and the bibliography), written in a sort of lightly academic style that is still pretty accessible.  Magdalene makes sure to define new terms for every chapter, and while some of it will be very familiar to those who've done some university-level gender studies, that kind of background isn't at all required to follow her arguments.  Her writing is clear and concise, while still leaving room for it to be heartfelt and hilarious at turns.

The first two chapters set us up: introducing the author, the book, and the general terms that will provide the framework for everything else.  Magdalene also explains what the "charmed circle" is, a term she borrowed from Gayle Rubin's 1984 essay "Thinking Sex": cultures attribute positive and negative values to sexual attributes, and those that are positively valued are said to be the "charmed circle" of sexuality in that culture, with their opposites, (ie, anything "queer" in our modern western society) falling outside that circle.  The third chapter discusses embodiment, and both how magic is embodied (the body being our first magical tool) as well as how gender and sexuality are embodied, and how trauma and disability can disrupt and complicate things (plus some very good suggestions for grounding when they do).  Chapter 4 rounds out the first section, with some more gender theory, and a section titled "Opening a Discourse About Gender Essentialism and Other Cans of Worms" that is just pure gold  - and, alas, too long to reproduce here in total, but here's a snippet:  "Let's talk about 'masculine' and 'feminine' energies, or perhaps we can call them 'active' and 'passive' energies, or positive and negative polarities. While we're at it, we can talk about the equation of masculinity with active, positive and projective qualities, and the consequent equation of femininity with passive, negative, and receptive qualities... but hey, that's not exist, right?" (p.105) Chapter 5, titled "Queerness and the Charmed Circle", returns to the definitions of both queerness and the charmed circle itself, concluding "to be queer is to be intrinsically Other, standing outside the charmed circle of societal approval for the sake of living an authentic life." (p.144)

Chapter 6 gets us into the meat of this and the practical applications, discussing sex magic, in the context of queer sex and embodied magic, and — importantly — consent.  This chapter includes a ritual that's a bit longer than the exercises sprinkled throughout the other chapters, though honestly I felt like this chapter has the potential to be another entire book, should Magdalene wish to elaborate further!  Continuing on, Chapter 7 is titled "Form Follows Function: Toward A Consent-Based Magical Praxis", and it's in this chapter that I found the quotation I just had to share on Facebook: "If those of us who work with gods, spirits, powers, and our fellow practitioners aren't basing our communities and our praxis in consent, we have no claim to any sort of spiritual advancement or wisdom. We're merely overgrown toddlers who haven't learned that other people, other beings - human or other, corporeal or not, living or dead or something else - don't exist for our convenience, to sate our desires. They have their own agency, just as we do, and understanding that agency should be the core of any interaction, magical or mundane." (pp.181-82)  If you want my bare-bones honest opinion, this book is worth buying for that chapter alone. Chapter 8 discusses consent as it applies to our work and relationships with spirits and deities, and I think anyone who is thinking of entering into any kind of contract or devotional relationship with a deity should read it.  I don't think enough of us stop to consider our own consent in these relationships, but it matters.  Deeply.  This chapter covers not only how and when to say no, but also what kind of responses you might get back, and what to do if things go sideways. It is another chapter that could easily be expanded into another entire book — one I would gladly buy for the Fellowship library so I could hand it off to new pagans! Chapter 9 gives several examples of ways to adjust your practice to be more consent-based, and the pros and cons of each, and includes a quick reminder of what cultural appropriation is and how to avoid it.  Chapter 10, titled "Greater Than One: Thoughts on Politics, Power, and Community", explains why gender, sexuality, magic, witchcraft, and paganism are all political, and why we can't abstain from political discussions as we build and maintain our communities.  It also tackles questions of diversity, inclusivity, the paradox of tolerance, and what it means to lead.  The final chapter is short, and is both conclusion and a consideration of what else, what next.  Because the work is never done.

I really enjoyed this book and I'm very glad it exists — so much of what I found within its pages was validating and inspiring.  If I had to list drawbacks, I can think of only three, and all three make sense in the context of the author herself and that the material, by necessity, had to remain streamlined.  First, the magic this book focuses on is predominantly ceremonial magic, which appears to be what Magdalene herself practices, but it is not the backbone of my own practice, so there were points at which I either had little interest in a suggestion or I agreed but while coming from a very different angle.  Secondly, the lists of queer deities were very brief and not at all exhaustive (in fact, on of my favorite queer deities, Heimdall, was absent).  Very few pantheons were included, but I imagine this was both an attempt to draw on her own experiences (instead of being encyclopedic) and also to give enough space to talk about why the deities included should be considered queer, instead of just giving a list with no justification or explanation. (Llewellyn, if you're reading this, I would LOVE an edited encyclopedia of queer deities, though.  Just sayin'.)  Thirdly, and this is the smallest of all, in the section on deity relationships and consent, Magdalene rightfully points out that pagans as a whole seem to accept more toxic behaviours from our deities than we would from our romantic partners, and while that is very true in my experience (and ought not to be), I think a little discussion of complicated familial relationships might round out that analogy, because there certainly are deities that I would walk away from if I could, but I can't completely avoid them because of a larger web of relationship — much more like a problematic uncle than a toxic boyfriend.  Other than those three little nitpicks, I wholeheartedly recommend this book to any "p-word" community member (that is: Pagans, Polytheists, and magical/occult Practitioners) who is queer, who is trying to be a better queer ally, or who holds any kind of leadership role in their own community.

If you're interested in joining the Fellowship Beyond the Star for our next book club meeting, we'll be meeting on Zoom on January 14th, 2024, 12-2pm Eastern Time, and discussing John Beckett's Paganism in Depth. More details can be found here.

Books for Beginners: Magic, not Gods

So, yesterday someone asked me a question about what kind of books and resources I would recommend for getting started with magic.  I inquired further, and they clarified that they had no interest in deities at this point, which narrowed down my potential list of recommendations.  After a little poking through my shelves and some reviews for books I haven't gotten my hands on yet, I finally settled on these:

  1. Psychic Witch: A Metaphysical Guide to Meditation, Magick, and Manifestation, by Mat Auryn
    I haven't read this one yet, but I have leafed through it and it seemed like it was pretty solid on the basics: meditation, energy work, grounding and shielding, etc.  And it got a pretty glowing review from John Beckett!  There's also a sequel of sorts: Mastering Magick: A Course in Spellcasting for the Psychic Witch.  And you can find out what else Mat Auryn has been up (or find podcast episodes where he had a guest appearance to talk about his books) to on his website.
  2. Grovedaughter Witchery: Practical Spellcraft, by Bree NicGarran
    This one I own, and I've followed the author on social media for a decade or longer, and her stuff is usually pretty clear, and almost always secular. Despite being a pagan, the gods don't really figure in her witchcraft; her focus is more on folkloric-flavored witchcraft, inspired by fairytales.  Bree also has a podcast, Hex Positivewhich has a lot of additional resources.
  3. Evolutionary Witchcraft, by T. Thorn Coyle
    I own this one, too, and read it for the book club run by the Fellowship Beyond the Star a few years back.  It's from a Feri/Reclaiming perspective, and does include some deities but it also includes both the Iron and Pearl Pentacles, and a lot of movement exercises, which makes it a valuable addition to this list.
  4. TrancePortation: Learning to Navigate the Inner World, by Diana L. Paxson
    This one is very focused on trancework and remains one of the most comprehensive books I've ever read on that topic.  It's heavy though, so it takes a while to get through, but all the exercises build on each other.  If you're interested in trancework and journeying, I can't recommend it enough.
  5. Six Ways: Approaches and Entries for Practical Magic, by Aidan Wachter
    I haven't read this one, either, but I did just finish Weaving Fate: Hypersigils, Changeing the Past, and Telling True Lies, by the same author and that book moved this one into my Need category.  Weaving Fate is a little more specific and a little more advanced, but a very engaging and straightforward read with good instructions; I can't imagine Six Ways being much different in that regard.
  6. Sigil Witchery: A Witch's Guide to Crafting Magick Symbols, by Laura Tempest Zakroff
    This is the first that was recommended by someone else as I was discussing this post, and I was really grateful for the suggestion because my own sigils are almost always bindrunes or ogham or some combination thereof, so I don't really own any books on sigilry.  It's a powerful type of magic in its own right though, and though it doesn't really jive with my personal practice (I don't use other people's sigils, as a rule), I have long been impressed with Tempest's work.  Plus, this book had a glowing review from another author whose work I admire, Misha Magdalene (author of Outside the Charmed Circle: Exploring Gender and Sexuality in Magical Practice, a must-read for any queer neopagans or group leaders)
  7. The Elements of Spellcrafting: 21 Keys to Successful Sorcery, by Jason Miller
    I've seen this one recommended a lot, too, though I've yet to get my hands on a copy of it to leaf through. Still, I've found many of Jason Miller's blogs very insightful, and this book has a great review by another blogger I've long admired, River Enodian.

I think I'll stop there, for now - I could recommend more blogs and online courses and youtube channels but for now I think I'll stick to a list of books!  I'd love to hear other people's suggestions as well - if you feel like I made a mistake leaving out your favorite book, let me know!  Feel free to talk about them in the comments here or on FB; I always love to start a conversation. (And who knows, if this really becomes a conversation maybe I'll curate a list of other types of resources: podcasts and classes and videos, oh my!)

(And yes, those are affiliate links - no pressure obviously, but if you want to, you can check out my curated lists on Bookshop.org!)

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Review: John Beckett’s Course on Pagan Monasticism as a Solitary Practitioner

I enrolled in John Beckett’s Course 7 at Under the Ancient Oaks on Pagan Monasticism as a Solitary Practitioner because after taking his one-hour class on the same topic at Mystic South back in July, I decided I needed to explore the monastic path more deeply. Now having finished the course and done some reflection and processing and discernment, I’m left with a feeling that roles of monastics/contemplatives and priests overlap considerably, especially the roles of Gods-facing temple priests (rather than a congregation-facing minister priests), which I have considered my calling for a few years now.

Part of my purpose is to (eventually) establish a retreat center that reflects a space in the Otherworlds where I am in service. It’s a bit like a temple and a bit like a hospital and a bit like a spa hotel, and I call it the Waystation. In this world, I envision a space nestled in the woods that hosts workshops, rituals, and retreats, serving the local pagan community. This kind of a space may also make a good space for an annual gathering of contemplatives, who otherwise live most of the time out in the world, as solitary monastics. More than being a monastic myself, I feel called to create and hold space for pagan monastics. In this, I’m not unlike Janet Munin, the editor of the book that served as the class text, “Polytheistic Monasticism: Voices from Pagan Cloisters”, who says she began working on the volume as she was exploring the path for herself, and then came to realize that the path was not her own calling, but writing about it was.

Both Beckett’s course and the book itself were helpful as I created a new structure for my practice, in this time of personal transition. I’ve been figuring out a new schedule for myself since the tail end of August, when the Acorn Sprout started full-time kindergarten. With a little more time on my hands, I needed a new organizational system to keep myself on track, and to keep myself from getting overwhelmed to the point of paralysis with everything I now had time to do that needed to get done. I needed a way to help myself prioritize, and the homework for the second module was to come up with a schedule or calendar for cycles of repetitive practice: daily, weekly, etc. So now I have foci for each day of the week (for my practice but also for my personal life) and hopefully this new schedule will also keep me blogging more regularly! In addition, I’ve adjusted my liturgical calendar to be monthly instead of just the eight neopagan holy days, and October is now the month of Na Morrigna.

As for the class itself, Beckett presents information in an accessible way that also invites deeper contemplation (as per usual). If you’ve enjoyed other classes of his and think this one sounds interesting, you won’t be disappointed! I think the interviews Beckett recorded with some of the authors were probably the most valuable parts of the course, for me; he asked them some of the same questions I would have, and they had enough time to really elaborate in ways it would have been hard to include in the book.

My new week is as follows:
Monday: Order and Organization
Tuesday: Divination and Trancework
Wednesday: Study and Writing
Thursday: Cleansing and Household Concerns
Friday: Divination and Trancework
Saturday: Nature Sprits and Ancestors
Sunday: Fair Folk and Gods

I could have read the book on my own and gotten some good ideas out of it, but I don’t think I would have gotten as much as I did without the format of the class. The structure and time delay for the each module, coupled with the reflective homework and the paired readings, really gave me a good scaffold to lay it all out and examine it more closely. And there was plenty of additional material comparing and contrasting the Benedictine (in a monastery) and Jesuit (out in the world) approaches, and information on various other traditions. The module about what our monastery jobs might be was particularly memorable to me, because the list Beckett gave of possible jobs for those without a physical monastery to upkeep read like a list of my hobbies: academic study, reading, writing, teaching, doing magic, crafting, gardening… Little wonder I’d found the path intriguing, I suppose!

Regarding the book itself (which I suppose I should also briefly review), some of the essays were more relevant to me than others, but that’s how it usually is with edited volumes. Chapter 4, “Called by the Spirits but not to the Priesthood” by Kimberly Kirner was perhaps the most relevant to me — and I came to the opposite conclusion, though for some of the same reasons, as Kirner was mostly contrasting monasticism with ministration. Kirner was also one of the authors that Beckett interviewed, and that helped clarify a few of her points. Chapter 8, “Of Hearth and Shadow: A Contemplative Norse Polytheist and a Fledgling Animist Abbey” by Danica Swanson also really helped me reflect on what I mean by “retreat space” when I say I feel a calling to create one, and I think following the development of the Black Stone Sanctuary will help me plan my own sanctuary as I move forward down my (now clarified) path.

TL;DR: I enjoyed this course and the book, and if either interest you, you should check them out!

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Review of Pagan Portals Brigid

A book standing on a shrine shelf, surrounded by jar candles and an offering cup. The book is a paperback volume of "Pagan Portals - Brigid" by Morgan Daimler, with an photo on the cover of  a woman with red hair working in a forge.

The book, resting on my shrine to the Tuatha Dé, next to the pink candle dedicated to Brigid, which sits atop my blessed cloth.

Pagan Portals — Brigid: Meeting the Celtic Goddess of Poetry, Forge, and Healing Well

by Morgan Daimler, published in 2016 by Moon Books

ISBN: 978-1-78535-320-8

I’ve owned this book basically since it came out, but so far had only used it as a sort of reference, so with my new intention this year of reading and reviewing one book for each of the 8 holidays in the neopagan wheel of the year, I decided to start by reading this one all the way through.

I own quite a few Pagan Portals books at this point, and most of them are by Morgan Daimler — I really find value both in the format and in the general quality of Daimler’s research and writings. I have a certain fondness for Brigid, as she was the first Pagan Deity I really had contact with, before I even realized who she was. When I was a child I used to try to pray to the Saints the way my Irish-American Catholic father expected me to, and although oddly I didn’t hear much about St. Brigid until later, I often found comfort in a presence that I first thought was Mary but came to understand was someone else, without knowing who exactly she was. I came to associate her with a rose quartz necklace I owned, and when I later began to explore Paganism, though I stopped trying to reach out to who I thought was a Saint, I still used the piece of jewelry for protection and healing because it had become imbued with her power. One more fast forward to my second ever big public ritual as an adult, on Imbolc, and while lightly trancing I saw a Goddess I assumed was Brigid, and when she came over she identified herself as the same entity I’d been praying to all those years ago. It was a big shift for me, seeing those threads all come together. Brigid the Saint, Brigid the Goddess — or a trio of Goddesses? I think it depends a little on your viewpoint, but for me they all seem to come from the same well — or perhaps the same forge.

Daimler’s first chapter, “Meeting Brigid”, introduces us not only to the trio of Sister-Goddesses, daughters of the Dagda, but also to the three Brigids from the Ulster Cycle, with whom I was much less familiar. The three sisters, Brigid of the Healing Well, Brigid of the Forge, and Brigid of the Poets, are probably the best known trio to modern Pagans, and Daimler stresses the importance of these being sisters, not the Triple Goddess of Graves’s imagination in the form of maiden, mother, and crone. The other trio, however, are all related to a semi-historical figure from the Ulster cycle, Senchan, a judge and poet of Ulster during the kingship of Conchobar Mac Nessa: Brig Brigiu (Brigid the Hospitaller) is his mother, Brig Brethach (Brigid of the Judgements) is his wife, and Brig Ambue (Brigid of the Cowless) is his daughter. I found the section on Brig Brigiu especially interesting, as there are several similarities to the Fairy Queen I serve, whom I call Starflower: her realm is an independent place of healing and respite, and I may need to do more research about the term “brigiu” and the general context of these hostels! Daimler also notes that Brigid “does have an unusually broad range of abilities and expertise which at least indicates that she held a significant and prominent place historically.” The second chapter discusses a few more Brigids: other Celtic Goddesses in the UK and on the continent, and, yes, the Saint!

Daimler’s third chapter was the sort of excellent summary mixed with direct quotations and some original translations that I have come to expect in their work, and it’s really worth buying the book for this section alone, in my opinion. It provides a really good foundation for understanding the general appearances of Brigid in the lore, and combined with the bibliography in the back, is an excellent road map for getting started doing your own research! (Since this is one of Daimler’s earlier books, however, some of their own more recent translation volumes aren’t mentioned in the back of this one, and I really do encourage people to check those out, too.)

The fourth chapter provides some really good ideas for celebrating Imbolc, Brigid’s main holiday (which is basically concurrent with the Feast Day of St. Bride), and this is one of the sections I’d referenced frequently before. The first half of the fifth chapter discusses modern myths and practices, what we might call Shared Gnosis (as opposed to Unverified Personal Gnosis, or UPG). Reading it all the way through, though, I was struck by how much of Brigid’s lore really does revolve around livestock healing and protection as well, though, and I think I know who to petition the next time one of my rabbits has a health issue!* The second half of the chapter has a guided meditation script, and a personal anecdote from Morgan Daimler. I did the journey the other day for the first time, and I thought I’d share a little bit of my experience, below. Chapter six I also referenced a fair amount before: it contains a lot of useful prayers and spoken charms. Some are original, some are translated, others are reworkings of Christian prayers to the Saint.

In general I highly recommend this book to anyone who’s interested in getting to know Brigid. The series of books are meant to be short introductions to a topic, so it would also be useful to anyone interested in Irish or Celtic Paganism generally, or as part of a reference library for a Pagan group of some sort.

* This isn’t really relevant to the book review, but because I just know someone is going to ask: yes, I have two bunnies. One is small and white, one is large and orangey-brown, and the small one has periodic issues with GI stasis, likely due to dwarfism genetics.


 

The second journey I ever did to Brigid (as far as I can remember) was a guided meditation to a farm where I met not one Brigid, and not three Brigids, but four. The Healer at the Well, the Smith in the Forge, and the Poet in the House. This time, on this meditation, I met seven.

Upon entering the farmhouse this time, I found myself in the presence of a woman who seemed younger than myself, standing and sway-bopping slightly as she nursed an infant. Brigid Ambue, she said to call her, Brigid the Cowless, and explained that the child was an orphan, and that no one in the world had less than an orphan less than a moon cycle old. She sent me into the kitchen, where I met a woman old enough to be my grandmother. The older woman was standing by a stove that was a bit old fashioned but still clearly a modern gas range, stirring a pot of porridge. Brigid Brethach, she called herself: Brigid the Judge. We spoke for a while, and then a woman almost as old as my mother entered, and introduced herself as Brigid Brigiu, Brigid the Hospitaller. She then took me out the back door, and we went around to visit the three I had expected. Brigid the Healer was at the well, and looked much the same as I remembered. So did Brigid the Smith, at the forge. Instead of in the house, this time Brigid the Poet was in a small shack, like a shepherd’s hut, past a field and towards the treeline, and she emerged to greet us as we came near. Satisfied, Brigid the Hospitaller then left me, and I began to make my own way back towards the house. On my way I met the one I first called Brigid the Tiny, who later revealed to me that she was the Saint, much younger than the others here and therefore in the guise of a girl of about nine. As in that earlier journey, she had me do a few farm chores before I left, and then saw me out the gate in the fence she closed behind me as I went. With each meeting I had given the Brigid a small vial of something pertaining to her craft, except the little Saint – she wished for nothing but a bit of companionship and help with her chores.